asauldm | Music

Table of Contents

10. Dead Poet Society – Cold — An intense and emotional story of self-alienation and burnout, featuring the band performing right among the shop aisles.
11. The Warning – Bite My Tongue — Powerful alternative rock critiquing stereotypes, combined with vivid live performance footage.
12. Anthrax – Everybody’s Got A Plan — The return of thrash metal legends with an explosive mix of tour life and boxing matches.
13. Fontaines D.C. – Marianne — A neon, surreal drama directed by Dave Meyers about emotional dependence.
14. Linkin Park – What I’ve Done (Live in São Paulo) — An energetic and nostalgic performance of the iconic hit by the revamped lineup at a stadium in Brazil.
15. ONE OK ROCK – Puppets Can’t Control You — A massive show from Nissan Stadium featuring pyrotechnics and a call for inner freedom.
16. Weezer – C.E.O. — An ironic satire on music industry demands, parodying their own 90s classic music video with a ton of celebrity cameos.
17. War Pigs (Live) — A star-studded black-and-white performance of the anti-war anthem by a supergroup featuring Corey Taylor, Geezer Butler, Nuno Bettencourt, Steve Stevens, and Matt Sorum.
18. Marilyn Manson – Unalive — Dark industrial-rock aesthetics with ritualistic-occult visuals and themes of emotional rebirth and recovery.
19. Linkin Park – Somewhere I Belong (Live in São Paulo) — An emotional and powerful stadium performance of the 2000s nu-metal hit by the revamped lineup in front of a massive Brazilian audience.

10. Dead Poet Society – Cold

Genres: Modern Alternative Rock / Hard Rock / Dark Alt-Rock with grunge elements, heavy riffs, and a signature dynamic, tense sound.

The video was directed by Jack Underkofler, frontman of Dead Poet Society, and shot by the Blackwood Imaging team.

The plot of the video revolves around the main character, who works in an office and later finds herself behind the counter of a small 24/7 convenience store. In parallel, the band is shown performing in a dark room among retail shelves. Tension builds as an armed robber bursts into the store and a gunshot rings out, triggering surreal and emotional scenes with the main character sitting on a lonely chair in the dark.

The track “Cold” is one of the key singles from the band’s upcoming full-length album, Monarch (releasing October 2, 2026). The song addresses self-alienation, emotional burnout, and the loss of one’s identity.

Audience and critic reactions to the track and video for “Cold” have been extremely positive. Listeners note that the band continues to hold a high bar, delivering driven and hard-hitting tracks. Many joke that Dead Poet Society has a “bad habit” of making every new song their absolute favorite.

Fans noticed the contrast and concept across the music videos of this release cycle. Scenes where the whole band performs “cornered” among store shelves resonated well compared to previous videos, where the musicians were often isolated from one another.

Listeners actively discuss the themes of emotional detachment and self-defense highlighted in the song. The lyrics resonated deeply with many, showing how tough life circumstances and the need to survive force a person to become “cold” and indifferent.

In the context of concurrent releases from Nothing But Thieves and Royal Blood, listeners call this wave of fresh alternative rock one of the best in recent memory, highlighting “Cold” for its pronounced dynamics and expressiveness.

9. The Warning – Bite My Tongue

Genres: Alternative Rock with Nu-Metal and Alternative Metal elements.

The music video combines footage from a live performance with the band’s conceptual stage aesthetic. A series of dynamic angles and rapid cuts conveys the raw energy of the show, underscoring a critique of patronizing attitudes and sexist stereotypes in the music industry.

The lyrics touch upon forced silence, the fight against objectification, and resistance toward those attempting to diminish the band’s achievements.

The track is a lead single from the album Everything’s Falling, released in late August 2026.

Listeners received the video and single with great enthusiasm (the video gathered over a million views in its first few weeks). The audience praised the blend of an energetic live performance, Daniela’s powerful vocals, and the uncompressed, heavy sound of the instruments.

8. Anthrax – Everybody’s Got A Plan

Genres: Thrash Metal, Heavy Metal.

The video sequences combine dynamic footage of the band’s stadium performance, behind-the-scenes tour life, and fast-paced edits of professional boxing matches. It showcases pre-show warm-ups, signing autographs, moments on the road, and the pure drive of fans in the mosh pit.

The track was released on August 6, 2026, as the third official single supporting the band’s 12th studio album, Cursum Perficio (officially released September 18, 2026, via Nuclear Blast / Megaforce).

The title and main concept refer to Mike Tyson’s famous quote: “Everybody has a plan ’til they get punched in the mouth.” The song speaks about confronting harsh reality, tackling life’s challenges, resilience, and the ability to take a hit when everything strays from the plan.

The music video and song were warmly welcomed by fans, collecting over 1 million views on YouTube. Listeners note the return to Anthrax’s classic heavy sound, high tempo, and the fitting boxing metaphor that perfectly complements the track’s energy.

7. Fontaines D.C. – Marianne

Genres: Post-Punk, Indie Rock, Alternative Rock.

The video immerses the viewer in a surreal, psychedelic, and neon-lit atmosphere with mystical elements. The narrative begins inside a cramped, darkened club under flashes of purple and red light.

The song explores passion, emotional dependency, and inner turmoil. The figure of “Marianne” acts as a symbolic muse or a ghost of past relationships, evoking both fascination and anxiety.

The video was directed by the legendary Dave Meyers, known for his work with Kendrick Lamar, Billie Eilish, and Taylor Swift. The video forms part of the visual concept for the album Dopamine Chamber.

The clip gained over 1.1 million views and 30,000 likes in its first month after release. Fans and critics praised its cinematic quality, vivid neon palette, and seamless combination of psychedelic visuals with the band’s dynamic sound.

6. Linkin Park – What I’ve Done [Live in São Paulo]

Genres: Alternative Rock, Post-Grunge, Pop Rock.

Director / Editor: Joseph Hahn — Linkin Park’s DJ and long-time director of most of their music and concert videos.

This is an official live performance video from Linkin Park at Allianz Parque in São Paulo, Brazil. It captures the band performing with their new lineup featuring co-vocalist Emily Armstrong. The footage combines dynamic shots of the musicians on stage with sweeping views of the massive crowd singing along. The audience in São Paulo greeted the song with immense emotion, loudly singing the vocal parts and chorus in unison.

“What I’ve Done” centers around themes of remorse, accepting past mistakes, forgiveness, and the desire to start with a clean slate. The core message is leaving the past behind, letting go of errors, and giving oneself a second chance for renewal and self-reflection.

Fans praised Emily Armstrong’s performance, highlighting her respectful approach to Chester Bennington’s legacy while infusing the song with her own drive and vocal power. Commenters highlighted the high quality of live energy, professional audio mix, and powerful sense of nostalgia bringing back one of the band’s greatest hits. Fans expressed gratitude to Mike Shinoda and the entire team for returning to the stage and creating a sense of unity.

5. ONE OK ROCK – Puppets Can’t Control You [DETOX JAPAN TOUR 2025 AT NISSAN STADIUM]

Genres: Alternative Rock, Post-Hardcore, Emo Rock, Stadium Rock.

A live performance video of ONE OK ROCK playing “Puppets Can’t Control You” during their DETOX JAPAN TOUR 2025 at Nissan Stadium.

Vocalist Taka opens with a melismatic, slow intro under atmospheric stage lighting. The performance ramps up as Ryota (bass), Toru (guitar), and Tomoya (drums) join with heavy riffs, light effects, and screen visualizers. Taka delivers a driving chorus set against stadium pyrotechnics and screen graphics. Following the breakdown, Taka hypes up the massive stadium crowd for an explosive finale accompanied by bursts of fire along the front of the stage. The song ends on a dramatic guitar and drum chord as the words “Puppets Can’t Control You” appear on screen before fading to black.

The lyrics focus on fighting for inner freedom, disappointment in one’s surroundings, and refusing to submit to outside control or manipulation. The main message is reclaiming independence and standing firm against hardship.

Most listeners note that the live concert version sounds even more powerful and energetic than the studio recording, particularly due to Taka’s vocals and heavy guitar riffs. Viewers were amazed by the massive crowd at Nissan Stadium, spectacular pyrotechnics, and light show. Comments flooded in from fans worldwide (Japan, USA, Europe, Latin America) sharing concert memories and urging ONE OK ROCK to tour their countries.

4. Weezer – C.E.O.

Genres: Alternative Rock, Power Pop, Indie Rock.

Video Directors: Brendan Walter and Jasper Graham.

The video begins with frontman Rivers Cuomo meeting two top label executives who reject his new ideas and demand play-it-safe 90s nostalgia. The band walks onto a set that visually parodies a reboot of their iconic 1994 video, “Undone – The Sweater Song”. As the musicians grow frustrated with the shoot’s demands, they walk off set. The producers quickly replace them with body doubles and celebrities, while Weezer’s actual members casually head outside to play hacky sack.

The song tackles the pressure and expectations felt by veteran rock musicians. It highlights commercial demands from labels and audiences who crave endless repeats of “90s classics,” leaving little room for creative experimentation or growth.

The label executives are played by comedians Rob Riggle and Rob Huebel. Horror director Cury Barker plays the set director, while cameos and doubles feature Tony Hawk, Michael Peña, Christopher Mintz-Plasse, Giovanni Ribisi, and Dax Flame.

Conceptually and visually, the video mirrors “Undone – The Sweater Song” (1994, directed by Spike Jonze), but uses a gold backdrop instead of blue (teasing their Gold Album), and replaces the pack of dogs with a swarm of bees released by the director.

In the video, Tony Hawk does a skateboard trick against a wall in the exact spot where drummer Patrick Wilson ran past in the original 1994 clip.

The video and single received glowing reviews. Fans and music critics highlighted Weezer’s signature self-deprecating humor, the seamless mix of nostalgia and sharp satire on modern show business, and the impressive list of celebrity cameos.

3. War Pigs w/Geezer Butler, Corey Taylor, Steve Stevens, Nuno Bettencourt & Matt Sorum – March 2, 2026

Genres: Heavy Metal, Hard Rock, Psychedelic Rock / Stoner Rock.

This is a live performance video of Black Sabbath’s iconic track “War Pigs”, recorded on March 2, 2026, during the charity Sound & Vision Awards ceremony.

The video has no storyline or staged scenes—it is a Live Performance recording. The footage is shot in a stylish monochrome (black-and-white) format. The focus is on the supergroup’s dynamics and stage interaction: Corey Taylor’s energetic vocals, the guitarists’ solo parts, and the crowd’s reaction.

• Vocals: Corey Taylor — lead singer of Slipknot and Stone Sour.
• Bass guitar: Geezer Butler — co-founder and original bassist of Black Sabbath, lyricist of the song.
• Guitars: Nuno Bettencourt (Extreme) and Steve Stevens (Billy Idol).
• Drums: Matt Sorum (ex-Guns N’ Roses, Velvet Revolver).

“War Pigs” is one of the most famous anti-war anthems in rock music history. The lyrics condemn politicians, military leaders, and generals (“war pigs”) who send ordinary people to their deaths for their own gain and destruction. The end of the song describes Judgment Day, where the instigators of war face ultimate retribution for their crimes.

The recording was made during the Sound & Vision Awards evening, organized by the Adopt the Arts charity foundation led by drummer Matt Sorum to support arts and music education in elementary schools.

The performance received enthusiastic reviews from listeners and gathered over 2 million views on YouTube in just a few weeks. Viewers noted the powerful synergy of the all-star lineup, particularly Corey Taylor’s explosive vocals and the masterful guitar duel between Nuno Bettencourt and Steve Stevens.

2. Marilyn Manson – Unalive

Genres: Industrial Rock, Industrial Metal, Gothic Rock.

The video was directed and edited by Anthony Silva.

The video features a dark, ritualistic, and occult aesthetic. The visuals include lit candles, skulls, flowers, and infrared shooting. Marilyn Manson appears wearing a horned crown, holding a sword, and performing inside a circle of candles. Separate narrative threads show a retro car and a house that are engulfed in flames by the end of the video.

The music video was shot as part of the promotion for the album One Assassination Under God – Chapter 2. The active use of thermal imaging and infrared effects creates a sense of inner transformation and destruction.

The track explores themes of self-destruction, confronting one’s inner demons, and the inevitability of retribution. The core message highlights the idea that a person’s main enemy is themselves (“I’m the only enemy you’ll ever need”), along with a call to “go back to the past to stop who you become in the future.”

The video amassed over 2.7 million views in its first month following the release. Fans welcomed it as a return to Manson’s classic, dark sound and aesthetic of the late 1990s and early 2000s. YouTube comments for the video were turned off by the label (Nuclear Blast Records).

1. Linkin Park – Somewhere I Belong [Live in São Paulo]

Genres: Alternative Rock, Post-Grunge, Pop Rock.

This is an official live performance video recorded during the band’s massive show at Allianz Parque stadium in São Paulo. The footage focuses on the dynamics of the performance: the energetic interaction between co-vocalists Emily Armstrong and Mike Shinoda, DJ Joe Hahn’s work, and sweeping shots of the stadium crowd of tens of thousands with glowing lights and passionate fan support.

The track addresses themes of inner struggle, searching for one’s identity, overcoming depressive states, and striving to find one’s place in the world while breaking free from loneliness.

The video is part of the promotional campaign for Linkin Park’s revamped lineup and their concert tour following a long hiatus. The show took place as part of the support for the band’s global theatrical film release, LINKIN PARK: UNSHATTER.

LINKIN PARK: UNSHATTER is a documentary concert film from the band Linkin Park, dedicated to their rebirth, path through loss, and return to the global stage. The limited global theatrical release begins on September 30, 2026. The film was directed by band member and DJ Joe Hahn.

The film covers one of the most challenging and important periods in Linkin Park’s history:

• Period of loss and recovery (2017–2022): The musicians’ first steps following the passing of Chester Bennington, navigating uncertainty, pain, and the search for answers.
• Studio work (from 2022): Behind the scenes of reviving creative sessions, creating the album From Zero, and bringing in new vocalist Emily Armstrong and drummer Colin Brittain.
• Explosive return to the stage: Massive concert footage from the tour, anchored by their grand performances at Allianz Parque stadium in São Paulo, Brazil, in the fall of 2024.

According to Joe Hahn, the project was initially intended solely as a concert video from Brazil, but later transformed into a full-fledged story about “friendship, resilience, and what it truly takes to move forward when you don’t have all the answers.”

Along with the film, the band is releasing the official live album UNSHATTER (Live in São Paulo) (released digitally on September 25, 2026 via Warner Records). The album includes 22 live tracks recorded over two nights in Brazil, capturing the electric atmosphere of the stadium, the crowd singing along to every word, and fresh arrangements of iconic hits alongside new material.

The video was received extremely warmly, gathering over 3.4 million views and tens of thousands of likes in just a month. Fans highlighted Emily Armstrong’s powerful vocal performance on the band’s classic hit and the incredible energy of the Latin American audience.